This non-normativity initially excludes many represented men from hegemonic positions. While these various dramatis persona outline different ways of how infertile men relate to normative hegemonic masculinity, they all represent infertile men as diverging from shared masculine norms. By drawing on Connell's concept of hegemonic masculinity and Ricoeur's understanding of paradoxical power structuring, four character types of infertile men are identified: (1) the virile in/fertile man, (2) the secretly non-/vasectomized man, (3) the intellectual eunuch, (4) the enslaving post-apocalyptic man. Through a content analysis of twenty fiction series, this article describes and analyzes such representations.
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Gjennom å trekke forbindelseslinjer fra eventyrfortellinger til dagens spekulative fiksjon, slik som TV-seriene Game of Thrones og Black Mirror, peker jeg på hvordan spekulative fortellingspraksiser kan bidra til alternative verdensgjø-ringer på den ene siden, og til å rette søkelyset mot pågående verdensgjøringer i vår egen tid på den andre.įiction television series are one of the few cultural expressions in which men's infertility experiences are represented. I denne artikkelen diskuterer jeg spekulativ fiksjon som særskilte fortellingspraksiser som kan bidra til å utfordre etablerte fortellinger eller forestillinger om verden, og på den måten fungere som en etisk-politisk arena for verdensgjøring på nye premisser. Parallelt med denne utviklingen er det en økende interesse for hvordan medievaner påvirker holdninger og kunnskapsproduksjon.
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By drawing a line from fairy tales to contemporary speculative fiction, such as the TV series Game of Thrones and Black Mirror, I explore how speculative storytelling practices contribute to alternative worlding on the one hand, and to shed light on ongoing worlding practices in the contemporary moment.ĭe siste årene har ulike typer av fantastisk og fabulerende fiksjon-her med en samlebetegnelse kalt spekulativ fik-sjon-beveget seg fra utkanten av populærkulturen til mainstream media.
In this respect, speculative fiction serves as an ethico-political arena for alternative worlding. In this article, I discuss speculative fiction as particular storytelling practices that negotiate established stories and knowledges about the world. At the same time, there is an increased interest in how the use of media affects knowledge production, values and attitudes. In recent years, fantastical and speculative fiction has moved from the margins to the mainstream in popular culture. The anthology explores the women of ice and fire with the aim to carve out new roads in the gender terrain of GoT as well as map new territory in women’s engagement with transmedia fantasy entertainment.
Here are articles on sexual scripts and politics, on adapting desire from book to television, adapting sex and violence from words into televisual sex and violence, on women in computer games, women with dragons, women as head of families, women as mothers and warriors and Machiavellian princes, on neoliberal fuck-politics and, finally, on female fans on the internet. The contributors differ in their view of the gender politics in GoT. Is this postfeminism for a neo-liberal and post-9/11 age? Is it antifeminist entertainment dressed up in pre-feminist medieval clothes? Or might neither of the two positions in effect be any good for women? Martin has called himself a feminist but others disagree. Here are eleven chapters by eleven scholars who differ in their views on the Westerosi women. Martin’s book series, the HBO television show, computer games, and online fan activities. Women of Ice and Fire: Gender, Game of Thrones, and Multiple Media Engagements explores women in the transmedia GOT universe, which consists of George R.
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